JOSH SHARP (Writer, Performer) is a New York-based actor, writer and comedian. He is one of the stars, writers and executive producers of Dicks: The Musical. This was A24's first musical feature and was adapted from Josh and Aaron Jackson's long-running off-off-Broadway production, F*CKING IDENTICAL TWINS. The musical premiered to rave reviews at the Toronto International Film Festival, winning the Midnight Madness People's Award, with The Hollywood Reporter calling it “outrageously amusing” and Deadline calling it “an unforgettable film debut." Together, Aaron and Josh appeared as a correspondent duo on “The Opposition with Jordan Klepper” for Comedy Central. Josh began performing at the Upright Citizens' BrigadeTheater in 2009 and has starred in “Search Party” (HBO), “At Home with Amy Sedaris” (TruTV), “Matt Rogers: Have You Heard of Christmas?” (Showtime), and “The Iliza Shlesinger Sketch Show” (Netflix). He has performed stand-up on “2 DopeQueens” (HBO) and “This Week At The Comedy Cellar” (ComedyCentral). He directed Sorry For Your Loss at the Minetta Lane Theater.

SAM PINKLETON (Director) is a Tony Award-winning director, choreographer, and gay person. His work as a director includes Oh, Mary! on Broadway (2025 Tony Award) and downtown, as well as Josh Sharp’s ta-da! at the Greenwich House Theater, NoahDiaz’s You Will Get Sick (Roundabout), The Wizard of Oz (ACT), Elizabeth Swados’ Runaways (Encores/Shakespeare in the Park), Head Over Heels (with Jenny Koons), La Cage Aux Folles at Pasadena Playhouse, and Untitled DanceShowPartyThing (with Ani Taj - VirginVoyages). Highlights of his work as a choreographer include Stephen Sondheim’s final musical Here We Are at The Shed and The National Theater (UK), Jeanine Tesori and David Henry Hwang’s Soft Power (The Public/CTG), and numerous shows on Broadway including Natasha, Pierre & The Great Cometof 1812; Macbeth; and Machinal. Film/TV includes “Dying For Sex” and the musical The End, starring Tilda Swinton.

MEREDITH RIES (Scenic Design) Meredith is a creative director and set designer, based in New York City. She has made experiential work for clients such as Netflix, FX, The Edge at Hudson Yards, and KFC. Her theater design work includes A Hard Time (The Wilma), Cute Activist (The Bushwick Starr), House Plant (NYTW Next Door), The Untitled Danceshowpartything (Virgin Voyages). Her Associate Designer credits include Hadestown and The Spongebob Squarepants Musical. meredithries.com

‍CHA SEE (Lighting Design) is an Obie Award-winning lighting designer from Manila, Philippines. Her Broadway debut was Oh, Mary! by Cole Escola. Recent credits include Liberation(Roundabout), Hold Me In The Water (Playwrights Horizons), Trophy Boys (MCC), JORDANS (The Public), Babbit (La Jolla Playhouse), and Wet Brain (Playwrights Horizons; Lortel nomination). Other notable work includes Is It Thursday Yet? (La Jolla, PAC NYC), You Will Get Sick (Roundabout), and On That Day in Amsterdam(Drama Desk and Lortel nominations). Additional credits: Babe, The Seagull/Woodstock, NY, one in two (The New Group), Lucy, Sorry for Your Loss, The Fever (Audible Theater), What to Send Up When It Goes Down (A.R.T., BAM, Playwrights Horizons, The Public), and soft (MCC). Cha holds an MFA from NYU Tisch. seelightingdesign.com

STIVO ARNOCZY (Co-Video Design) is a video designer from Queens & Otsego County, NY. Select work includes: Real Women Have Curves (B’way, as Animator), 3 Summers of Lincoln (La Jolla Playhouse, as Associate), The National Pastime (Syracuse Stage), Jaja’s African Hair Braiding (B’way, as Associate), Tick Tick Boom (The Cape Playhouse), Discoshow (The Linq Hotel, Las Vegas, as Assoc.), untitled danceshowpartything(Virgin Voyages), Nightmare Before Christmas Light Trail (NYBG, as programmer), Cowboy Bob (The Alley Theatre), Bhangra Nation (Birmingham Rep, UK, as Assoc.), The Rose Tattoo (B’Way, as Assoc.), Be More Chill (B’Way, as Asst.), The Band’s Visit (International Tour, as Assoc.).

SKYLAR FOX (Magic by) is an Obie Award-winning director, writer, and designer, and the co-artistic director of Nightdrive, where he has co-created a string of genre-bending immersive works: an apocalypse around a campfire (The Grown-Ups), a live alien movie (Alien Nation), a five-dimensional town hall (Providence, RI), a haunted rock concert (Thank You Sorry), and a graphic novel with interactive animation (Apathy Boy). He created and directed Trisha Paytas’ Big Broadway Dream, and has directed Out of Order (East Village Basement), Pussy Sludge by Gracie Gardner (HERE Arts Center), and the Boston premiere of Sarah Ruhl’s Passion Play (IRNE nomination). He also designs illusions for theatre. Broadway: Fat Ham(L.A. Drama Critics Circle Award), Once Upon a Mattress, Boop!, Back to the Future (associate), A Beautiful Noise (associate), and Harry Potter & the Cursed Child (associate). Off-Broadway/International: Cats: The Jellicle Ball (PAC NYC), The Preacher’s Wife (Alliance Theatre), The Comeuppance (Signature, Almeida), You Will Get Sick (Roundabout, Steppenwolf), Wicked, Matilda (São Paulo), and Damn Yankees (Shaw Festival). skylarfox.com | nightdrive.org

DANIEL KLUGER (Incidental Music by) Broadway: Good Night, and Good Luck (TONY nom), Oh Mary!, Oklahoma! (TONY + GRAMMY nom) The Sound Inside (TONY nom) Seawall / A Life, Marvin’s Room, Significant Other. Off Broadway: Spain, Coast Starlight, You Will Get Sick, Epiphany, Judgment Day, Animal, The Village Bike, Man From Nebraska, Tribes, Women or Nothing. Film Scores: A Christmas Carol (2021), The Courtroom (2021), Duolo (2017), Health to the King (2020), Hello Again (2017, Orchestrations). Audio: Vapor Trail (2022), The Miranda Obsession (2022), OFFENSE (2022), The Guitly (2021). Resident music producer at Renaissance Recording. danielkluger.com

‍LIBBY J'VERA she/her (Production Manager) Libby is so happy to be the Production Manager for Mike & Carlee Productions. She has worked on a bunch of stuff with them for many years and has a great time making comedy shows downtown. She also PMs other things for other people sometimes, which is good too. libbyjvera.com

MIKAYLA BUMP (Company Manager) Mikayla is thrilled to be a part of the ta-da! team! Broadway credits: Tammy Faye; A Beautiful Noise - The Neil Diamond Musical; A Doll's House. Off-Broadway: VANYA; Gary Gulman: Grandiloquent. Love and gratitude to my friends, family, Aidan and Harper.

KATIE GIRARDOT (Production Coordinator) Katie is thrilled to be a part of this production of ta-da! despite the restraining order. She continues to be in awe of the worlds she gets to help build with her collaborators and hopes to be a part of building a better world outside of the theater doors. Nat’l Tour: Girl From the North Country, Jagged Little Pill; Off Broadway: Becoming Eve (NYTW), We Live in Cairo (NYTW), Leo Reich: Literally Who Cares?!, One Woman Show; International: Drop Dead Gorgeous, Book of Mountains and Seas, Christopher Hall’s Girl For All Seasons. Love to her circle of support, to Mike, Carlee, Liv, Sam, and Josh for letting her be a part of the magic, and to Duckie. @ktg45

SINE DIGITAL (Digital Advertising) Founded in 2017, SINE Digital has become a leading performance marketing agency for entertainment, sports and attractions; powered by our exceptional people and data science. Select current clients include: Book of Mormon; Call Me Izzy; Dog Day Afternoon; Operation Mincemeat; among others. sinedigital.com

CARLEE BRIGLIA (Producer) is one half of Mike & Carlee Productions. Selected credits include Oh, Mary! (Two Tony Awards), Hannah Gadsby's WOOF!, Kate Berlant’s KATE, Rachel Bloom: Death, Let Me Do My Show, Alison Leiby: Oh God, A Show About Abortion, Alex Edelman: Just For Us, Colin Quinn's Small Talk, The Last Best Hope, Red State Blue State and Unconstitutional; Jacqueline Novak: Get On Your Knees, Nick Kroll and John Mulaney’s Oh Hello On (Off) Broadway, Jes Tom: Less Lonely, Chris Gethard: Career Suicide, Mike Birbiglia: My Girlfriend’s Boyfriend. Carlee lives in East Williamsburg (a real neighborhood) with her girlfriend and has recently weaned one of her two perfect cats off of anti-anxiety medication.

MIKE LAVOIE (Producer) is the remainder of Mike & Carlee Productions. Mike & Carlee were nominated for a Tony Award as lead producers of the hit Broadway play, Oh, Mary! and have been described as the people with “The Power To Propel Comedians to Netflix” in New York Magazine’s “The Most Powerful New Yorkers You’ve Never Heard Of” 2023 cover story. They were also featured in Variety’s 10 Broadway Stars to Watch for 2024. Mike enjoys PG Tips, pastries, Advil and lying down. mikeandcarlee.com

KENNY KLINE (Co-Producer) is a media entrepreneur and producer who builds and scales digital content brands. With a background in business development and storytelling, he specializes in creating high-impact media ventures. Passionate about innovation, he thrives at the intersection of creativity and strategy.

NATHAN MARDIS (Co-Producer) is a producer and financier, acting as co-producer on Off-Broadway plays (Kate, Death, Let Me Do My Show, Grandiloquent) and executive producer on feature films (Dead Man's Wire, Alpha Gang, Paper Tiger).  He is also founder of the production services company 2801 Productions.

NELSON & TAO (Co-Producer) Benjamin Nelson and David Thomas Tao swear to you…no more gay. Bway: Oh, Mary!, Good Night, and Good Luck, All In, Illinoise, Lempicka. Currently: Dilaria at the DR2 and American Sing-Song presents: HOLE! in Edinburgh. Thanks to Josh, Sam, Mike & Carlee @benjnelson11/@davidthomastao

IRONY POINT (Co-Producer) is an Emmy and Peabody-winning production company founded by producers Daniel Powell and Alex Bach. They are a co-producer on Cole Escola's Tony Award-winning Broadway play OH, MARY! Select tv/streaming credits include I THINK YOU SHOULD LEAVE with Tim Robinson (Netflix), the Julio Torres limited series FANTASMAS (HBO), LIFE & BETH (Hulu), and INSIDE AMY SCHUMER (Comedy Central). Select film credits include Sundance selections SCARE ME and CLARA’S GHOST.

ARS NOVA (Greenwich House Theater) Ars Nova exists to discover, develop & launch singular theater, music & comedy artists who are in the early stages of their professional careers. Our dynamic slate of programs supports outside-the-box thinking and encourages innovative, genre-bending work. By providing a protective environment where risk-taking and collaboration are paramount, Ars Nova amplifies the voices of a new generation of diverse artists and audiences, pushing the boundaries of live entertainment by nurturing creative ideas into smart, surprising new work. Dubbed by The New York Times as one of New York’s “most adventurous Off-Broadway companies,” Ars Nova was honored with a 2024 Lortel Body of Work Award, 2015 OBIE Award and a 2015 Special Citation from the New York Drama Critics’ Circle. Notable past productions include three-time Lortel Award-winner, including “Outstanding Musical, ”(pray), created by nicHi douglas with music by S T A R R Busby and JJJJJerome Ellis; New York Times’, Vulture’s, Time Out New York’s, and The New Yorker’s “Best of 2022,” and three-time Lortel Award-winner Oratorio for Living Things by Heather Christian, directed by Lee Sunday Evans; “Outstanding Musical” Lortel Award-winner KPOP, created by Jason Kim, Max Vernon, Helen Park, and Woodshed Collective, directed by Teddy Bergman, which continued on to Broadway; “Best New American Theatre Work, ”Obie Award-winner and “one of the best new plays in the last 25 years” (The New York Times), Underground Railroad Game by Jennifer Kidwell and Scott R. Sheppard, directed by Taibi Magar; “Outstanding Musical” Lortel Award-winner and The New York Times’ “Best of 2018,” Rags Parkland Sings the Songs of the Future, created by Andrew R. Butler, directed by Jordan Fein; The Lucky Ones, created by The Bengsons and Sarah Gancher, directed by Anne Kauffman; The New York Times’ and New York Post’s “Best of 2015,” Small Mouth Sounds by Bess Wohl, directed by Rachel Chavkin; the Tony Award-winning smash-hit Natasha, Pierre & The Great Comet of 1812 by Dave Malloy, directed by Rachel Chavkin; the show that put Bridget Everett on the map, At Least It’s Pink by Everett, Michael Patrick King, and Kenny Mellman, directed by King; and Lin-Manuel Miranda and Thomas Kail’s first New York production, Freestyle Love Supreme by Anthony Veneziale and Miranda, directed by Thomas Kail, which continued on to Broadway, and received a special 2020 Tony Award.

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ta-da! staff

Assistant Director
Neeta Thadani

‍Lead Sound Technician
Eryn Bogen

Lighting Programmer
Adam Rose

Lighting Assistant
Ari Kim

Technical Director
Steven Brenman

Associate Production Manager
‍Sophie Larin

‍Production Electricians
John Anselmo, Dan Mullins

Production Video
‍Cheyenne Doczi

Production Assistant
Liv Heaton

Additional Production Assistants
Uladis Bautista, Charles Meckley, Chelsey Hall

‍Website and Additional Graphic Design
Stephen Gilewski

Production Photography
Emilio Madrid

‍Production Counsel
David Manella / Loeb + Loeb

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DIGITAL ADVERTISING
SINE Digital
James Dale    Scott Lupi   Iona Robson
Max Skibinski    Luke Territt   Tim Milne
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PRESS REPRESENTATIVE
PRINTSHOP PR
Nicole Capatasto
Claire Wojciechowski    Liz Lombardi    
Grace Walker

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‍MIKE & CARLEE PRODUCTIONS
Carlee Briglia   Mike Lavoie
Libby J'Vera   Liv Rhodes

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Scenic Shop
Hillbolic Arts & Carpentry

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Lighting Rentals Provided by
Hayden Production Services

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‍Video Rentals Provided by
4Wall Entertainment

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THE GREENWICH HOUSE THEATER STAFF

Chief of Staff
Megh Cooper

Production Manager
Alex Duncker

Founding Artistic Director
Jason Eagan

General Management Assistant
Jordan Fleming

Finance Coordinator
Nicole Granston

Managing Director
Mac Ingram

Development Director
Ben Lasser

Marketing Associate
Emily Lyon

‍General Manager
Alma Malabanan-McGrath

Superintendent
Edward Medina

‍Facilities & Operations Manager
Ryan James Monroe

Co-Artistic Director
Anna Morton Stacey

‍Co-Artistic Director
Andrew Neisler

Box Office & Communications Assistant
Taylor Rey

Development & Events Associate
Diana Schlossberg

Ars Nova at Greenwich House Venue Designer
Jason Sherwood

Finance Director
Kate Weber

‍Sendroff & Baruch LLP Legal
Jason P. Baruch

‍Accounting
Lutz and Carr CPAs, LLP

‍IT Consultant
Steven Dalton

‍Insurance
Maury Donnelly & Parr

Public Relations
John Wyszniewski, Everyman Agency

Venue Supervisors
Tom Cohen
Toast DiNapoli
Lee Donegan
Emma Nafz
Sophia Campbell

Front of House Staff
Hunter Burke
Ariana Calderón
Cody Castro
Jolee Cohen
Elisa Davila
Sydney Henriques-Payne
Jenna Krivosh
MJ Lugo
Francis Madi
Marvin Marc
Joshwald Martinez
Matt Miller
Nicolette Minella
Dillon Orlando
Camila Ortiz
Kenzie Potter
Michael Ramirez
Beth Reagan
Kinme Reeves
Renato Rengifo Acosta
Taylor Rey
Frankie Sulla
Emily Yarmey
Neda Yeganeh

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SPECIAL THANKS

Matt Kelly & Union Hall, Brooklyn
Markie Fisher, Andrew Mumm & Bellhouse, Brooklyn
Natalie Kampf
Scott Morfee and all the friends we made at the legendary Barrow Street Theater
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Josh Sharp would like to thank his big slay family for being so eternally supportive of all the gay shit he does. He'd like to thank his hot af boyfriend for always being by his side, even and especially when the ocean tries to kill him. And he'd like to thank the huge coven of people who have helped with the development of this dumb lil show over many, many years. I'm talking venues and their staff, I'm talking openers who slayed, I'm talking friends who hyped it/me up. Y'all know, I'm not about to list all your damn government names. But most of all, Josh would like to thank *you* for reading these special thanks. You're sexy and smart and you're doing everything right, sweetie.

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